Exhibitions + Public Engagements:

An abstract sculpture made of pink, white, and red glass and acrylic shapes on a white background.
Abstract artwork created with cut-out plastic pieces in shades of white, blue, green, and yellow.
Abstract colorful sculpture with pink, red, black, and gold shapes and accents against a white background.

The Long View: From Conservation to Sustainability|Works From the Bank of America Collection

Jan 31, 2025—May 4, 2025
The Hunter Museum of American Art
210 Bluff View Ave
Chattanooga, TN 37403

Group exhibition.

-plasia

Jan 28 - May 12, 2025
Winter Garden Gallery, Brookfield Place
230 Vesey Street, New York, NY

Solo exhibition of wall-based work.

Creative Responses


May 16 - June 21, 2025
Specta Gallery
Copenhagen, DK
Peder Skrams Gade 13,
DK-1054 Copenhagen K


Group exhibition.

  • Text graphic with the words 'TROY GLOW' in purple and beige gradient, and a yellow logo resembling a stylized 'T' and 'G' above.

    Eos
    2024
    The Troy Glow Light Festival
    Troy, NY
    Temporary outdoor site-specific installation made from welded post-industrial plastic.

  • Logo for Science Museum Oklahoma, with a white background and text in black and blue.

    Currents
    2024
    The Oklahoma Science Museum
    Oklahoma City, OK
    Group exhibition.

  • Logo of the School of Visual Arts featuring a red abstract spiral design with the text 'School of Visual Arts' below in black.

    Plasticulture: The Rise of Sustainable Practices With Polymers
    2024
    The School of Visual Arts Gallery
    New York, NY
    Group exhibition of Project Vortex artists, curated by me.

  • Brattleboro Museum of Art Logo

    Human Nature Walk
    2023-2024
    The Brattleboro Museum & Art Center
    Brattleboro, VT
    Solo exhibition, curated by Katherine Gass Stowe.

  • Logo of Morris Museum of Art with black and white text on a black background.

    The Long View: From Conservation to Sustainability, Works from the Bank of America Collection
    2023
    The Morris Museum,
    Morristown, NJ
    Group exhibition.

  • Logo for Kathryn Markel Fine Arts, established in 1976, with the text in black on a white background.

    Living Arrangements
    2023
    Kathryn Markel Gallery
    New York, NY
    Group exhibition.

  • Logo of Roca, Rockland Center for the Arts, in blue text on a white background.

    Women In Sculpture
    2021
    Rockland Center for the Arts
    West Nyack, NY
    Group exhibition, curated by Barbara Galazzo.

  • The text 'HOLLIS TAGGART' in dark blue on a white background.

    Remnant Romance
    2021
    Hollis Taggart Gallery, New York, NY
    Two-person exhibition with Idelle Weber. Virtual tour available by clicking here.

  • Logo for the FIGGE Art Museum with large green text and small text on the side

    Dimensional: 3D Works from the Figge Collection
    2021
    The Figge Art Museum,
    Davenport, Iowa
    Group exhibition.

  • Logo of Monmouth University Center for the Arts with the initials M, C, and A in large blue and black letters and the full name written underneath.

    Inquire Within
    2020
    DiMattio Gallery at Rechnitz Hall, Monmouth, New Jersey
    Solo exhibition.

  • Cover of International Sculpture Center magazine featuring its title in blue text and the subtitle 'Publisher of Sculpture magazine' underneath.

    9%
    2022
    Panel + workshop for the ISC Annual Conference with Project Vortex Member Artists: Tom Deininger + Jason Klimosky + Lesley Chang, of Studio KCA, Leticia Bajuyo, Robin Frohardt + Ben Von Wong.

  • Black and white logo for Goucher College with a quill icon at the top.

    Incidental Monuments: Designing with Discards
    2020
    Silber Art Gallery, Baltimore, MD
    Group exhibition curated by Alex Ebstein + Amy Boone-McCreesh.

  • Logo for Summit Public Art featuring a red square sign with black and white text and a black triangular support, with bold black text reading 'SUMMIT PUBLIC ART' on a white background.

    Troika
    2020
    Summit, NJ
    Group exhibition, outdoor sculpture.

  • Logo for Hunterdon Art Museum with the tagline 'Educating, Challenging & Inspiring Community through the Arts'

    Re:Fuse
    2019
    Hunterdon Art Museum
    Clinton, NJ
    Solo exhibition.

  • Black and white logo for Art Muse Utah, featuring the names Franklin G Burrougs, Simeon B Chapin, and the phrase 'My Little Beach, I Hope I'.

    Can’t You Sea? Ocean Plastic Artifacts
    2019
    Franklin G. Burroughs, Simeon B Chapin Art Museum,
    Myrtle Beach, SC
    Group exhibition.

  • Logo for MSA Confab with blue, white, and black text and a stylized 'MSA' in bold letters.

    MidSouth Sculpture Alliance ConFab
    2019
    Chattanooga, TN
    Artist talk on Intercepting the Plastic Waste Stream.

  • SMA logo with red text and the words Smith College Museum of Art underneath.

    Plastic Entanglements: Ecology, Aesthetics, Materials + Re:Fuse
    2019
    Smith College Museum of Art
    Traveling group exhibition, curated by Joyce Robinson

  • Logo of Principia College featuring a large blue letter P inside a white circle with a gold outline, and the words 'Principia College' in blue below.

    Displaced Abundance
    2019
    James K. Schmidt Gallery,
    Principia College, Elsah, IL
    Solo exhibition and Annenberg Visiting Scholar/Artist

  • Promotional poster for an art exhibition titled 'Continuous Reflection' (YING), held from May 28 to August 28, 2019, featuring a dark background with floating metallic spheres.

    Continuous Relfection
    2019
    Riverside Art Museum
    Beijing, China
    Group exhibition, curated by Yemeng Li.

  • The logo of The Schuylkill Center for Environmental Education featuring a red maple leaf with a city skyline and a church steeple, and a small flying bird.

    Aglow
    2019
    The Schuylkill Center for Environmental Education
    Philadelphia, PA
    Solo exhibition.

  • Logo for Christie's Education New York, with Christie's in large black font and Education New York in smaller black and red font.

    The Role of Art in the Environmental Crisis
    2019
    Christie’s New York, NY
    Symposium on artists’ response
    to the environmental crisis.

  • Logo with three cubes spelling 'CAA' above the text 'Advancing Art & Design'

    Ecology of the Studio: Art in the Waste Stream
    2019
    Panelist. College Art Association Annual Conference, NYC

  • Logo for Lauritzen Gardens featuring stylized green archways with leaves and a wheat stalk, and the text 'Lauritzen Gardens'.

    Arise
    2018
    Lauritzen Gardens
    Omaha, NE
    Two-person exhibition with Sayaka Ganz.

  • Sign that says "The Arboretum at Penn State" with the Penn State Outreach logo at the bottom.

    Gravity Schmavity
    2018
    The Arboretum at Penn State,
    State College, PA
    Solo exhibition, curated by Joyce Robinson.

  • Logo for KANEKO, a space for open exploration, featuring the word 'KANEKO' and the tagline 'Open Space for Your Mind,' with a black ink splash design.

    The Museum of Alternative History (Part II)
    2018
    Kaneko Museum
    Omaha, NE
    Group exhibition, curated by Tim Guthries.

  • Logo for Rockland Center for the Arts, with the word "roca" in large blue letters and the full name below in smaller blue text.

    Elemental Forces
    2018 - 2019
    Rockland Center for the Arts,
    West Nyack, NY
    Group exhibition, curated by Barbara Galazzo.

  • Logo for Salisbury University Art Galleries featuring the acronym SUAG and full name

    Remake: Remodel
    2018
    The University Gallery at Fulton Hall,
    Salisbury, MD
    Two-person exhibition with Heather Harvey, curated by Elizabeth Kauffman.

  • Rockland Center for the Arts logo with the word 'roca' in blue lowercase letters and the full name in smaller blue text underneath

    Aqueous Remains
    2018
    Rockland Center for the Arts,
    West Nyack, NY
    Group exhibition, curated by Barbara Galazzo.

  • Gray promotional poster for Halsey Institute of Contemporary Art at the College of Charleston.

    The Tide Is High
    2017
    Halsey Institute of Contemporary Art, Charleston, NC
    Solo exhibition, curated by Mark Sloan.